I like to come up with looping exercise like this, because they are a quick way to learn some new material and built-up vocabulary and technique.
It’s time for another looping exercise. While practicing I was looking for a way to run through BeBop-scales in all keys following the ideas/concept as described in Jeff Elwood’s e-book Developing Be-Bop Lines and came up with this little loop.
The exercise follows the idea breaking down the BeBop scale into three arpeggios followed by the BeBop passing note (again check out his book, it’s worth it) and then resolves into the next chord in the cycle of 4ths.
The book features the best description on how to built/play BeBop lines that I came across and I can’t recommend it highly enough. I suggest you go and check it out and as a bonus this loop will make a lot more sense to you afterwards.
After you have visited the Big Band gig on Friday you can of course come to Jumpru Pub on Saturday at 16:30 and listen to us performing the music of Charles Mingus. Just saying.
Sonny Rollins live in 1968. Great music and video from Cafe Montmatre on Jazz Wax: Sonny Rollins: Copenhagen, 1968
Starting the day with a classic: Dexter Gordon – Sophisticated Giant
Sonny Rollins talks about working with Monk and the Bridge period:
I didn’t have the feeling within myself, that I was really able to put out what they expected from me. So, that’s what I did. I will lay off the scene and go back into the woodshed, and get these things together and that’s basically what that thing on the bridge actually was all about.
This is a very nice animation of an excellent interview with Sonny Rollins.
Chet Baker is one of my all-time favourites and recently I have been on a little binge-listen of the “The Last Great Concert” recordings. The recordings with Big Band and Strings, recorded in 1988 only weeks before his death, feature him in great form.
From All About Jazz:
The concert itself was a hugely ambitious project, given Baker’s reputation for unreliability. To back Baker: a big band and a full orchestra on stage at the same time, in addition to a jazz quartet. Baker didn’t show up for rehearsals, and he didn’t arrive at the concert hall until the afternoon of the show. In spite of that, he—and by turns the orchestra and big band and quintet—sounds marvelous. Baker fits his solos into the arrangements seamlessly.
In times, in which, at least it feels like, Jazz is getting more complicated, intellectual, but in my opinion not always more beautiful, it is great to listen to listen to these recordings which are plain, great music.
I have never been able to find them on Spotify (and still am not), but I found both recording available to play on Google Play Music. You can listen to Vol.1 My Favourite Songs here, and Vol.2 – Straight from the Heart here.
This morning Jazz Video Guy shared a bunch instructional videos from Bob Mintzer, such as the above on Rhythm, on Building Jazz Improvisations from Classical Music, on Attack, Sustain Decay and usage of Motifs.
I have had the honor to have met and attended a class with Bob Mintzer and he also talked then about the idea of Motifs. This is great stuff and worth checking out. Thanks to the Jazz Video Guy for sharing.
This is what I call timely. We were just sitting in the bus going north to perform the music of Charles Mingus when the article Doc: Charles Mingus 1968 on Jazz Wax popped up in my newsreader. The article is about Thomas Reichmann’s documentary on Charles Mingus documentary which is now on You Tube.
During this period, Thomas Reichman filmed a documentary of Mingus expounding on a range of socio-political topics of the day and captured Mingus being evicted and arrested.
I have seen that one before, and it’s worth a watch.